Audix

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  • A127 OMNIDIRECTIONAL METAL FILM CONDENSER MICROPHONE

    The A127 is an omnidirectional metal film condenser microphone, designed to capture the most accurate and purest form of acoustic instruments and sound sources. The A127 delivers unmatched performance for recording, broadcast, film, and sound design.

    • Pre-polarized half-inch Type 1 metal film capsule (IEC 61094-4 compliant)
    • Omnidirectional polar pattern
    • Excellent clarity, detail, and transient response
    • Transformerless, low-noise circuitry
    • Active driven shield

  • A131 LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE

    The A131 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A131 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

    • Large 33 mm condenser capsule
    • Cardioid Polar Pattern
    • Proprietary internal shock mount
    • Low noise preamp circuitry
    • Designed, machined, assembled, and tested in the USA
  • A133 LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE WITH PAD AND ROLL OFF

    The A133 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A133 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

    • Large 33 mm condenser capsule
    • Cardioid polar pattern
    • Proprietary internal shock mount
    • Low noise preamp circuitry
    • Switchable 10 dB pad and bass roll-off
    • Designed, machined, assembled, and tested in the USA
  • A231 LARGE DIAPHRAGM CONDENSER VOCAL MICROPHONE

    The A231 is a large diaphragm condenser microphone built for the most discerning studio user. With its externally-biased “true condenser” capsule and low-noise circuitry, the A231 is able to capture the nuances of the human voice as well as the rich overtones of acoustic instruments with natural warmth and in stunning detail. An exceptionally consistent cardioid polar pattern focuses on the performance while offering smooth off-axis rejection.

  • ADX10FLP Miniaturized Condenser Flute Microphone

    The ADX10FLP is a cardioid condenser flute microphone that utilizes a uniformly controlled cardioid polar pattern. This feature assists in isolating the miked sound at the embouchure hole from other instruments or vocals on stage. With a smooth and accurate frequency range of 50 Hz-18 kHz, the ADX10FLP is lightweight, low profile, and furnishes the flutist’s natural sound with an exceptional transient response.

  • ADX20iP Condenser Instrument Microphone

    The ADX20iP miniature condenser microphone is applicable for professional stage and studio applications. This microphone is primarily used for miking most reed and brass instruments.

  • ADX51 Professional Electret Condenser Microphone With Pad & Roll-Off

    The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.

  • ADX60 Boundary Condenser Microphone

    A professional pre-polarized condenser microphone, the ADX60 is designed for stage, studio, and broadcast applications. The ADX60 is highly sensitive and able to handle distance and area miking for various applications including conferences, plays, theatre, and acoustic instruments.

  • AP41 BP Wireless Microphone System – R41 Diversity Receiver With B60 Bodypack Transmitter

    A professional diversity wireless system featuring the B60 bodypack transmitter.

    This bodypack may be used with any lavalier, head-worn, or instrument microphone in the Audix line, as well as guitar and bass. Optional accessories include a single space rack mount kit with BNC cables for front mounting antennas, rackmount kit for mounting two systems in one rack space, active directional antennas, and antenna distribution system for up to four systems (4 channels).

  • AP41 FLUTE Wireless Microphone System – R41 Diversity Receiver, B60 Bodypack With ADX10FLP Condenser Microphone And Mount

    A professional diversity wireless system featuring the ADX10FL miniaturized cardioid condenser for standard-sized flutes.

    The ADX10FL reproduces the natural tone and percussive nature of the flute with detail and accuracy. The tight pickup pattern of the mic helps to isolate the flute from the rest of the instruments on stage.

  • AP41 GUITAR Wireless Microphone System – R41 Diversity Receiver, B60 Bodypack With Guitar Cable

    A value-packed diversity wireless system featuring the H60 bodypack transmitter with a guitar cable.

    This system features a durable and low-profile aluminum bodypack that can be securely clipped onto the guitar strap or clothing. The highly sophisticated circuitry of the transmitter allows for precise and accurate reproduction of guitar and bass without compromise.

  • AP41 HT7 Wireless Microphone System – R41 Diversity Receiver, B60 Bodypack With HT7 Headworn Microphone

    A professional diversity wireless system featuring the HT7 single ear miniaturized head-worn condenser microphone.

    The HT7 is a professional single ear head-worn condenser microphone designed for stage, presentation, and broadcast applications. With a miniaturized element of only 3mm, the HT7 is the smallest microphone in the Audix lineup. The omnidirectional HT7 features a comfortable earpiece that can be worn around the left or right ear and a durable adjustable length boom arm.

  • AP41 L10 Wireless Microphone System – R41 Diversity Receiver, B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    A value-packed bodypack diversity wireless system featuring the ADX10 cardioid miniature condenser microphone.

    The ADX10 is a lightweight, low-profile mic designed for lavalier applications such as speech, presentation, and theatrical production. With the ability to accurately capture and reproduce vocals from a comfortable distance of 4-8 inches, the ADX10 has a natural sound with an exceptional response that is resistant to feedback and easy to use.

  • AP41 OM2 L10 Wireless Microphone System – R41 Diversity Receiver, H60/OM2 Handheld And B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    A combination system that allows for the flexibility of using either the OM2 handheld transmitter or the bodypack system with the ADX10 cardioid lavalier microphone. This package is designed for rental companies, hotels, presentation events, education, and applications where only one transmitter would be required at a time. (Please note: it is not possible to use both transmitters simultaneously – see the AP42 C210 combo pack where both transmitters can be used at the same time.)

  • AP41 OM2 Wireless Microphone System – R41 Diversity Receiver With H60/OM2 Handheld Transmitter

    A value-packed handheld diversity wireless system featuring the Audix OM2.

    The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion.

  • AP41 OM5 Wireless Microphone System – R41 Diversity Receiver With H60/OM5 Handheld Transmitter

    A high-performance handheld diversity wireless system featuring the legendary Audix OM5.

    Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

  • AP41 SAX Wireless Microphone System – R41 Diversity Receiver, B60 Bodypack With ADX20I Clip On Condenser Microphone

    A professional diversity wireless system featuring the ADX20i clip-on cardioid condenser for sax, trumpet, and brass instruments.

    Designed for stage, broadcast, and recording, the ADX20i handles high sound pressure levels and provides natural sound reproduction at very close distances. The lightweight, compact, and easy-to-use ADX20i features a shock-mounted clip to help reduce noise and vibration. The spring tension clip makes for easy mounting on the bell of an instrument, and a flexible gooseneck allows for precise positioning.

  • AP41 VX5 Wireless Microphone System – R41 Diversity Receiver With H60/VX5 Handheld Transmitter

    A highly detailed handheld diversity wireless system featuring the Audix VX5.

    The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications. With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and detailed frequency response, resistant to feedback, and handles very high SPLs without distortion.

  • AP42 BP Wireless Microphone System – R42 Two Channel Diversity Receiver With Two B60 Bodypack Transmitters

    A value-packed diversity system featuring the versatile B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the Audix line, as well as guitar and bass. Included are a rack mount kit and BNC cables for front mounting antennas.

  • AP42 C210 Wireless Microphone System – R42 Two Channel Diversity Receiver, H60/OM2 Handheld Transmitter And B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    A dual-channel system that combines the OM2 handheld transmitter with the ADX10 cardioid lavalier system.

    This is a very efficient and cost-effective solution for combining the hands-free convenience of a lavalier with the flexibility of a handheld mic. The package is ideally suited for presentations, meetings, or events where the lead speaker remains in control while the handheld microphone is passed around either on stage or in the audience.

  • AP42 OM2 Wireless Microphone System – R42 Two Channel Diversity Receiver With Two H60/OM2 Handheld Transmitters

    A value-packed handheld diversity wireless system featuring the Audix OM2.

    The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion.

     

  • AP42 OM5 Wireless Microphone System – R42 Two Channel Diversity Receiver With Two H60/OM5 Handheld Transmitters

    A high-performance handheld diversity wireless system featuring the legendary Audix OM5.

    Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

     

  • AP42 VX5 Wireless Microphone System – R42 Two Channel Diversity Receiver With Two H60/VX5 Handheld Transmitters

    A highly detailed handheld diversity wireless system featuring the Audix VX5.

    The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications. With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and detailed frequency response, resistant to feedback, and handles very high SPLs without distortion.

  • AP61 BP Wireless Microphone System – R61 True Diversity Receiver With B60 Bodypack Transmitter

    A professional true diversity lavalier wireless system featuring the B60 bodypack transmitter.

    This bodypack may be used with any lavalier, head-worn, or instrument microphone in the Audix line, as well as guitar and bass. A single space rackmount kit with BNC cables for front mounting antennas is included.

  • AP61 L10 Wireless Microphone System – Combination R61 True Diversity Receiver And B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    A professional true diversity lavalier wireless system featuring the Audix ADX10 cardioid miniature condenser microphone.

    The ADX10 is a lightweight, low-profile mic designed for lavalier applications such as speech, presentation, and theatrical production. With the ability to accurately capture and reproduce vocals from a comfortable distance of 4-8 inches, the ADX10 has a natural sound with an exceptional response that is resistant to feedback and easy to use.

  • AP61 OM2 L10 Wireless Microphone System – Combination R61 Diversity Receiver, H60/OM2 Handheld Transmitter And B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    The Audix AP61 OM2 L10 is a Performance Series single-channel true diversity receiver and dual-transmitter bundle designed to deliver reliable long-range wireless audio for preachers, guest speakers, and announcers in houses of worship and live stage applications. It includes an R61 single-channel true diversity receiver, a B60 bodypack transmitter, an ADX10 cardioid condenser lavalier mic, and one H60 transmitter with an OM2 hypercardioid dynamic microphone capsule.

  • AP61 OM2 Wireless Microphone System – R61 True Diversity Receiver With H60/OM2 Handheld Transmitter

    A professional true diversity handheld wireless system featuring the Audix OM2.

    The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion. A single space rackmount kit with BNC cables for front mounting antennas is included.

  • AP61 OM5 Wireless Microphone System – R61 True Diversity Receiver With H60/OM5 Handheld Transmitter

    A professional true diversity handheld wireless system featuring the Audix OM5.

    Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

  • AP61 SAX Wireless Microphone System – R61 True Diversity Receiver, B60 Bodypack With ADX20I Clip On Condenser Microphone

    A professional true diversity wireless system featuring the ADX20i clip-on cardioid condenser for sax, trumpet, and brass instruments.

    Designed for stage, broadcast, and recording, the ADX20i handles high sound pressure levels and provides natural sound reproduction at very close distances. The lightweight, compact, and easy-to-use ADX20i features a shock-mounted clip to help reduce noise and vibration. The spring tension clip makes for easy mounting on the bell of an instrument, and a flexible gooseneck allows for precise positioning.

  • AP61 VX5 Wireless Microphone System – R61 True Diversity Receiver With H60/VX5 Handheld Transmitter

    A professional true diversity handheld wireless system featuring the Audix VX5.

    The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications. With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and detailed frequency response, resistant to feedback, and handles very high SPLs without distortion.

  • AP62 BP Wireless Microphone System – R62 Two Channel True Diversity Receiver With Two B60 Bodypack Transmitters

    A professional true diversity lavalier wireless system featuring the B60 bodypack transmitter. B60 bodypack transmitter. This bodypack may be used with any lavalier, head-worn, or instrument microphone in the Audix line, as well as guitar and bass.

  • AP62 C210 Wireless Microphone System – R62 Two Channel True Diversity Receiver, H60/OM2 Handheld Transmitter And B60 Bodypack Transmitter With ADX10 Lavalier Microphone

    A professional true diversity wireless system featuring the Audix OM2 handheld transmitter with the ADX10 cardioid lavalier system.

    This is a very efficient and cost-effective solution for combining the hands-free convenience of a lavalier with the flexibility of a handheld mic. The package is ideally suited for presentations, meetings, or events where the lead speaker remains in control while the handheld microphone is passed around either on stage or in the audience.

     

  • AP62 C2BP Wireless Microphone System – R62 Diversity Receiver, With H60/OM2 Transmitter And B60 Bodypack

    A professional true diversity wireless system featuring the Audix OM2 handheld transmitter with the B60 bodypack to allow your choice of lavalier or headset microphones.

    This is a professional wireless microphone system with the flexibility of a handheld mic. The OM2 has slight bass proximity, a tailored mid-range, and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion.

  • AP62 OM2 Wireless Microphone System – R62 Two Channel True Diversity Receiver With Two H60/OM2 Handheld Transmitters

    A professional true diversity handheld wireless system featuring the Audix OM2.

    The OM2, our best-selling vocal microphone, has slight bass proximity, a tailored mid-range, and a full-bodied sound. Ideally optimized for small to mid-size PA systems, the OM2 is a workhorse microphone known for its excellent isolation on stage, outstanding feedback rejection, and ability to handle high sound pressure levels without distortion.

  • AP62 OM5 Wireless Microphone System – R62 Two Channel True Diversity Receiver With Two H60/OM5 Handheld Transmitters

    A professional true diversity handheld wireless system featuring the Audix OM5.

    Since the mid-90s, the OM5 has become one of the most respected handheld dynamic mics in the world. Used on stage, in studios, and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback, and the ability to handle SPLs in excess of 144 dB without distortion.

  • AP62 VX5 Wireless Microphone System – R62 Two Channel True Diversity Receiver With Two H60/VX5 Handheld Transmitters

    A highly detailed handheld diversity wireless system featuring the Audix VX5.

    The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications. With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and detailed frequency response, resistant to feedback, and handles very high SPLs without distortion.

  • D2 Professional Dynamic Instrument Microphone

    The D2 dynamic instrument microphone is used for stage, studio, and broadcast applications. It is designed with a hypercardioid pickup pattern for isolation and feedback control and is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

  • D2 Trio 3-Piece Drum Microphone Package

    The Audix D2 Trio is everything you need for miking your toms, all in one convenient package. The tailored frequency response of the D2 drum microphone gives you all the punch, clarity, and warmth needed for percussion without being muddy or boomy. The proprietary VLMTM (Very Low Mass) capsule technology provides superior transient response and more accurately captures every detail of your music. The included DVICE mounts let you squeeze these microphones into tight places eliminating the need for bulky microphone stands.

  • D4 Professional Dynamic Instrument Microphone

    With a wide frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.

  • D6 Professional Dynamic Instrument Microphone

    The D6 dynamic instrument microphone is used for stage, studio, and broadcast applications. Designed with a cardioid pickup pattern for isolation and feedback control, the D6 drum microphone is equipped with a VLM™ diaphragm for natural, accurate sound reproduction.

  • DP Elite 8 8-Piece Drum Microphone Package

    The DP Elite 8 professional drum pack is the ultimate combination of 8 microphones needed to mike up a 5 piece drum kit. All microphones perform equally well whether it be on a live stage or in the studio.

  • DP QUAD 4-Piece Drum Microphone Package

    The DPQUAD pack consists of four drum microphones grouped together to microphone a full drum kit. This arrangement employs a left overhead microphone to cover hi-hat, cymbals, and rack toms, and a right overhead microphone to capture the floor tom and ride cymbal. Individual snare and kick microphones complete the essential punch needed for a good drum mix. All microphones, clips, and accessories are packed in a durable aluminum carrying case.

  • DP4 4-Piece Drum Microphone Package

    The DP4 is a perfect complement of dynamic microphones for close miking of a variety of sources on-stage or in the studio. Included in the DP4 microphone package are the D6, Audix’s flagship dynamic kick drum microphone, and three i5s, Audix’s best-selling instrument microphone.

  • DP5A Professional 5-Piece Drum Microphone Package

    The DP5A professional drum microphone pack contains five microphones required to mic a standard rock kit: kick, snare, rack toms, and floor tom. Perfect for stage or studio, this selection of dynamic drum microphones features exclusive Audix VLMTM capsule technology offering accurate sound reproduction in very high SPL applications. Microphone clips, mounts, and a rugged aluminum carrying case are included.

  • DP5MICRO Professional Drum & Percussion Mic Package

    The DP5MICRO drum pack contains the five microphones required to mic a standard 5-piece drum kit: kick, snare, rack toms and floor tom. Perfect for stage or studio, this combination of dynamic mics featuring exclusive Audix VLM TM capsule technology and the MicroD condenser mics offer accurate sound reproduction in very high SPL applications. Mic clips, mounts, and rugged aluminum carrying case are included.

  • DP7 7-Piece Drum Microphone Package

    The DP7 professional drum microphone pack represents an outstanding combination of seven microphones designed to meet the demands of today’s professional drummer, both on the stage and in the studio. Included in the DP7 drum microphone package is the D6, Audix’s flagship kick drum microphone, two – D2 dynamic drum microphones for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51 studio condenser microphones for overhead miking.

  • DP7MICRO Professional Drum & Percussion Mic Package

    The DP7MICRO drum pack contains seven microphones to mic a standard 5-piece drum kit: kick, snare, rack toms, floor tom and stereo overheads. Perfect for stage or studio, this combination of dynamic mics featuring exclusive Audix VLM TM capsule technology and the MicroD condenser mics offer accurate sound reproduction in very high SPL applications. Mic clips, mounts, and rugged aluminum carrying case are included.

  • DP8 Professional Drum & Instrument Mic Package

    The DP8 drum pack is a premium ensemble of microphones designed to mic a five-piece kit with accuracy and fine control. Kick, snare, rack toms and floor tom mics feature Audix VLM TM capsule technology for natural and precise sound reproduction in high SPL applications. The ultra-compact M1280BHC hi-hat mic and M1280B overhead cymbal mics capture complex timbres and wide dynamic ranges. Included are DVICE rim mounts eliminating the need for bulky mic stands.

  • f2 Dynamic Instrument Microphone

    The f2 dynamic instrument microphone is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage.

  • f5 Dynamic Instrument Microphone

    The f5 dynamic instrument microphone is an ideal choice for snare, toms, percussion, and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

  • F50 All-purpose Vocal Microphone

    The f50 multipurpose vocal dynamic microphone embodies a tight and uniformly controlled cardioid polar pattern which assists in isolating the vocals from the instruments on stage. The f50 is also available with a noiseless, magnetic on/off switch (f50S).

  • f6 Dynamic Bass & Kick Drum Instrument Microphone

    The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The f6’s hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

  • f9 All-Purpose Pencil Condenser Microphone

    This f9 all-purpose pencil condenser microphone is suited for instruments requiring detailed reproduction in mid-high and extended high-end frequency ranges in live and studio applications. A wide cardioid pick-up pattern paired with high sensitivity allows close, overhead, and distance miking.

  • FireBall Ultra-small Professional Dynamic Instrument Microphone

    The FireBall™ dynamic instrument microphone is designed for harmonicas (both diatonic and chromatic) and beatbox. Clear, accurate, and capable of handling SPLs in excess of 140 dB without distortion, the FireBall™ is ideally suited for both live stage and studio recording applications.

  • FireBall V Ultra-small Professional Dynamic Instrument Microphone

    The FireBall V, with a cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with an exceptional transient response. Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a wide frequency response of 50 Hz – 16 kHz and is lightweight, compact, and comfortable to hold.

  • FP5 5-Piece Fusion Drum Microphone Package

    The FP5 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets, and acoustic instruments; the f2 is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass, and woodwind instruments. The f6 dynamic microphone, with its extended bass response, is designed for kick drum, bass cabinets, cajon, and other low-frequency instruments.

  • FP7 7-Piece Fusion Drum Microphone Package

    The FP7 Drum Pack contains a combination of f2, f5, and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets, and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass, and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon, and other low-frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat.

  • M1280B Miniaturized Condenser Microphone

    The M1280B, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a cardioid capsule and is also available with hypercardioid, omnidirectional, or shotgun capsules. The M1280B has a very wide frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

  • MicroD Miniature Condenser Instrument Microphone

    The MicroD is primarily a drum and percussion instrument microphone for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.

  • MicroD Trio Set Of Three Microd Microphones

    The MicroD Trio is a compact set of three MicroD microphones, primarily used for drum and percussion miking for professional stage and studio applications. The MicroD has a uniformly controlled hypercardioid polar pattern and a smooth, accurate response in its frequency range.

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